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A window banged down above Bond's head. Bond looked up. His immediate reaction was that the black veil was too wide-meshed. The intention to disguise the luxurious mouth and the excited blue eyes was amateurish.

"He's past the age of consent," said Bond. "He must be sixty. Up to forty, girls cost nothing. After that you have to pay money, or tell a story. Of the two it's the story that hurts most." He smiled into her eyes. ''Anyway I'm not forty yet."

THERE were now ten guards in the room. They stood lined up against the wall behind Kono. They were all armed with their long staves. Kono fired an order at one of them. The man left his stave in an angle of the wall and came forward. He was a great, box-like man with a totally bald, shining head like a ripe fruit and hands like hams. He took up his position in front of Bond, his legs straddled for balance and his lips drawn back in a snarling smile of broken black teeth. Then he swung his right hand sideways at Bond's head and slapped him with tremendous force exactly on the bruise of Bond's fall. Bond's head exploded with fire. Then the left hand came at him and Bond rocked sideways. Through a mist of blood he could see Blofeld and his woman. Blofeld was merely interested, as a scientist, but the woman's lips were parted and wet. Bond took ten blows and knew that he must act while he still had the purpose and the strength. The straddled legs offered the perfect target. So long as the man had not practised the Sumo trick! Through a haze, Bond took aim and, as another giant blow was on its way, kicked upwards with every ounce of force left to him. His foot slammed home. The man gave an animal scream and crashed to the ground, clasping himself and rolling from side to side in agony. The guards made a concerted rush forward, their staves lifted, and Kono had his gun out. Bond leaped for the protection of a tall chair, picked it up and hurled it at the snarling pack of guards. One of the legs caught a man in the teeth and there was the sound of splintering bone. The man went down clutching his face.

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Walter, his face crumpled and angry, strode round the table and jerked Krebs's head out of the debris. He took him by his coat collar and hauled him to his feet and away from his chair.

"Flamenco guitar is more popular than ever right now," said Montoya. "Young people like it; I perform at a lot of colleges. I also perform with many symphony orchestras to play my Flamenco Suite.

I believe I can remember these two at a little distance apart, dwarfed to my sight by stooping down or kneeling on the floor, and I going unsteadily from the one to the other. I have an impression on my mind which I cannot distinguish from actual remembrance, of the touch of Peggotty's forefinger as she used to hold it out to me, and of its being roughened by needlework, like a pocket nutmeg-grater.

"Whatsamatter?" The jockey's voice was shrill and terrified.

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